Icon

Your Guide to Design and Pop Culture in Tokyo

Craig Mod Is Not Anti-Magazine Design

I’d like to follow up my post from earlier today — about how I felt that Craig Mod’s recent pieces on digital publishing don’t really take into account the desire for beautiful magazine layouts — with a few comments that were tweeted to me by Craig in response.

Everyone is conflating my desire (demand? :-) for real text with an anti design stance. Not the case at all.

I want layouts just as interesting / unique as today’s magazines. But with more accessibility / respect for digital text.

I’m arguing not for a certain type of book or magazine, but a certain kind of accessibility of text.

Sure, then it does sound like we’re on the same page after all. I think the problem I had with his recent essays — and the latest one in particular — is that he continues to push for a better kind of accessibility of text in digital form, but from all of the examples that he tends to give, some of them just don’t jive with creating an iPad-formatted page (using those dimensions) of a magazine that can’t be affected by user interaction.

There’s no reason why text in iPad magazines can’t be selectable (a few examples have been popping up recently), which could then mean adding text copying/sharing and the like. But part of his “accessibility package” — as far as I can tell — also includes being able to adjust text size, and that just won’t work.

I do have a solution though: For every article in a magazine, include a button that lets you open just the text as a separate “window,” which would be adjustable. It’s similar to what you see in certain magazines on Zinio — instead of having to zoom in and out on each page to read text that is too small, you can read the text separately, at a larger size, on a separate page.

And I said my favorite *reading* experience is Instapaper, not ‘favorite magazine’ ;-)

I’ll give him the benefit of the doubt on this one, but I was pretty sure he said “magazine,” which is why it stuck with me.

I want someone to build a magazine that’s as comfortable from a content consumption POV as instapaper. I’d happily read it.

That’s something I can definitely agree with. As I said, I absolutely love what Instapaper has done in terms of making long-form journalism (or essay writing if you will) more accessible. I’d love to see magazines do their own thing to make this happen, just not in the same way.

readability + accessibility + well considered typography != anti-design.

Yes, it certainly is, and it’s what made me want to write that post. I don’t think that a good magazine can really be “anti-design,” and so by promoting all those other things, it sort of contradicts the idea of beautifully designed magazines (in terms of graphic design, layouts) also attaining the pure goals of that trifecta he so holds dear (although I think two of them can easily be achieved).

Have something to add? Feel free to leave feedback through either Twitter or Facebook, or contact me by email.

Tagged: , , , , ,

PauseTalk

PauseTalk is a regular series of events that take place at Cafe Pause on the first Monday of every month, with a start time of 20:00. The idea is to create a forum where Tokyo-based creatives can get together and discuss their own projects, as well as cultural currents of the city. The next edition happens June 4.

We hereby define a new term, that of the magaziner, described as a person who exerts an unhealthy amount of love for all things magazine. The Magaziner is a site that mostly focuses on the intersection between magazines and the digital frontier, and what it means for the medium. This does not preclude the inclusion of a healthy amount of print love.

Codex is a weekly music podcast hosted by Jean Snow, recorded in Tokyo. Playlists for all episodes are posted on the site, and you can subscribe to RSS feeds of posts and episodes.

Jean Snow is a contributor to Arcade Mania, your guide to the arcade gaming scene in Japan (Amazon US/Amazon Japan). He also provided assistance on Tokyolife: Art and Design, a guide to Tokyo's cultural output of the past few years, covering the works of over 80 influential creatives.
He will be contributing to the upcoming fifth editions of The Rough Guide to Tokyo and The Rough Guide to Japan, due for release in 2011.
PechaKucha

Jean Snow is Executive Director of the PechaKucha organization. He also helps run the PechaKucha Night in Tokyo -- please get in touch if you are interested in presenting at a future event. For a more intimate salon-like discussion group, join him at his monthly PauseTalk event.

A longtime resident of Tokyo, he lives and breathes design, pop culture, and gaming, sustained by an unhealthy addiction to magazines and frequent visits to his favorites cafes. He has reported on these obsessions for various online/offline publications, including the following: Time, Inside (Australian Design Review), Gizmodo, Gridskipper, Kotaku, 1UP, Tokyo Q, Superfuture, OK Fred, Arthur Frommer's Budget Travel, I.D. (International Design), Metropolis, Azure, MoCo Loco, Kateigaho International Edition, Wired's Game|Life, PingMag, CNNGo, Phaidon, and The Japan Times.

You can subscribe to an RSS feed of this site, and also follow him on Twitter and Facebook, or get in touch by email.

 

Colophon

The "Jean Snow" logo is written using the free Kirimomi Swash typeface. The "M31" logo is by Ian Lynam, and is part of a series of 31 unique designs. The site's design is based on the Grid Focus WordPress theme by Derek Punsalan.

Twitter