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Your Guide to Design and Pop Culture in Tokyo

Books Are Not Magazines, and Vice Versa

Craig Mod recently posted a new essay in relation to digital publishing — the throat swallowing titled “The ereader incompetence checklist (for discerning consumers, editors, publishers and designers” — and as with everything else he’s written of late, it’s a must read for anyone with even a passing interest in the topic.

BUT, I do have to say that I’m starting to disagree with some of his stances, and mostly because I feel that he continues to treat the digital treatment of books and magazines in a similar manner, while these are in fact quite different mediums, and the way we interact with them is quite different as well.

The biggest issue I have with his views on magazines is that he prioritizes readability over any thoughts of design, and that’s just not how I experience most of the magazines I love. For me, the beauty of the magazine medium is in its marriage of text and images, and the ways that art directors manage to combine these in an appealing presentation. Text alone or images alone do not make a magazine (although I’ll readily admit that there are some magazines, like The New Yorker, where it’s really just about the text).

While we were out for drinks the other night — in commemoration of his leaving Tokyo for more “digitally charged” pastures — he mentioned how his favorite magazine experience on the iPad is through Instapaper, and I think that says it all. Don’t get me wrong, Instapaper is not only of my favorite apps (on both iPhone and iPad), it’s also one of the apps I access the most, and it’s because of it that I was able to get back into reading long-form journalism (something I’ve never felt comfortable doing over the web). But a great magazine experience? There’s no magazine experience there at all, it’s just a better way of reading an article, independently of any design touch.

For me, same goes for Flipboard, the “Social Magazine.” While yes, it does offer a more pleasing (compared to the web) and magazine-y way to read collections of articles, the fact that it’s automatized means you quickly tire of the layout. I think “Social Newspaper” would be a better way to describe it, since most of the time (and emphasis on the “most,” since there are definite exceptions out there) layouts in newspapers tend to be conservative and relatively standard. It’s why I love the New York Times iPad app, and wouldn’t really want it to change (although I’m quite tired of the inclusion of image heavy/slideshow photo rounds-ups, with the images missing).

So going back to Craig’s piece, I’m of course all for a greater level of accessibility in digital texts, but when it comes to magazines, not at the price of losing any though of layout that doesn’t simply copy a web-like approach (long flows of text).

Update: The discussion continues — with a response from Craig — in this post.

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PauseTalk

PauseTalk is a regular series of events that take place at Cafe Pause on the first Monday of every month, with a start time of 20:00. The idea is to create a forum where Tokyo-based creatives can get together and discuss their own projects, as well as cultural currents of the city. The next edition happens June 4.

We hereby define a new term, that of the magaziner, described as a person who exerts an unhealthy amount of love for all things magazine. The Magaziner is a site that mostly focuses on the intersection between magazines and the digital frontier, and what it means for the medium. This does not preclude the inclusion of a healthy amount of print love.

Codex is a weekly music podcast hosted by Jean Snow, recorded in Tokyo. Playlists for all episodes are posted on the site, and you can subscribe to RSS feeds of posts and episodes.

Jean Snow is a contributor to Arcade Mania, your guide to the arcade gaming scene in Japan (Amazon US/Amazon Japan). He also provided assistance on Tokyolife: Art and Design, a guide to Tokyo's cultural output of the past few years, covering the works of over 80 influential creatives.
He will be contributing to the upcoming fifth editions of The Rough Guide to Tokyo and The Rough Guide to Japan, due for release in 2011.
PechaKucha

Jean Snow is Executive Director of the PechaKucha organization. He also helps run the PechaKucha Night in Tokyo -- please get in touch if you are interested in presenting at a future event. For a more intimate salon-like discussion group, join him at his monthly PauseTalk event.

A longtime resident of Tokyo, he lives and breathes design, pop culture, and gaming, sustained by an unhealthy addiction to magazines and frequent visits to his favorites cafes. He has reported on these obsessions for various online/offline publications, including the following: Time, Inside (Australian Design Review), Gizmodo, Gridskipper, Kotaku, 1UP, Tokyo Q, Superfuture, OK Fred, Arthur Frommer's Budget Travel, I.D. (International Design), Metropolis, Azure, MoCo Loco, Kateigaho International Edition, Wired's Game|Life, PingMag, CNNGo, Phaidon, and The Japan Times.

You can subscribe to an RSS feed of this site, and also follow him on Twitter and Facebook, or get in touch by email.

 

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The "Jean Snow" logo is written using the free Kirimomi Swash typeface. The "M31" logo is by Ian Lynam, and is part of a series of 31 unique designs. The site's design is based on the Grid Focus WordPress theme by Derek Punsalan.

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