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Your Guide to Design and Pop Culture in Tokyo

LIFE for iPad

LIFE for iPad

If you’re a fan of The Guardian Eyewitness app or event the “Photo” section of the NYT app, then you’ll probably find a lot to like from the new LIFE app for iPad. Available as a free download, it’s basically an interface to LIFE magazine’s amazing photo archives.

LIFE for iPad

There are a few different ways to explore the collections, starting from an “Explorer” page that lets you dig in geographically, and then a few themed sections.

LIFE for iPad

It’s not perfect though, and the biggest annoyance is the ad for LIFE services (pictured above) that pops up every few photos — it’s especially annoying because when it comes it actually moves the regular interface elements away, which makes for a jarring transition. There’s also a slight load time for every single photo you view, so it seems that they should have paid a bit more attention at keeping file sizes manageable.

But hey, it’s a free app, and there’s more to like here than to not like, so well worth a download.

Taking It to the Streets

Confiture in Shinjuku

This past Saturday we walked all the way down from Ikebukuro to Harajuku with the dog, mostly because we wanted to spend some time at the big “dog run” area inside Yoyogi park. It made for quite a pleasant outing (if a long walk), and we also walked around Aoyama a bit — I wanted to check out the Magazine Library event — and also spent some time at a cafe. As you can imagine, we get a lot of attention when we’re out and about with him, and it’s quite normal to have to stop so that people can pet him or take photos.

Above, a photo taken as we were walking through Shinjuku. Below, walking up Takeshita Street in Harajuku.

Confiture in Harajuku

Where’s That Camera Again?

Remember that long post I wrote at the end of June in which I talked about me getting back into photography? Well, it appears that my wife’s love for her camera has meant that I’m still not anywhere close to getting a chance to play around with it. Guess it means I’ll need to be a bit more patient, or just pull the trigger and get a camera of my own (which I doubt will happen).

PauseTalk Tonight

PauseTalk Vol. 41

It is indeed PauseTalk Vol. 42 tonight (July 5), happening as always at Cafe Pause in Ikebukuro from 20:00 (with the space reserved from 19:30). Already looks like we’re going to be a good group, and I know a few ex-PingMagers will be there, so I’m feeling like a post-mortem might be in order.

Above, one of the many photos taken at last month’s edition (Vol. 41), courtesy of Michael Holmes passing around his camera — you can see a gallery here.

Panasonic Lumix G2

Panasonic Lumix G2

One thing that’s happened to me over the past few years is that I’ve pretty much stopped taking photos. Sure, the odd iPhone-to-Twitter shot is still a regular occurrence, but in terms of taking photos with a relatively descent point-and-shoot — in my case, a series of Canon PowerShots — either for this site, for other sites, or even just for personal use, that just kinda stopped. You’ll notice it also if you check my Flickr account — except for a little rekindling courtesy of an iPhone/Toy Camera fling last year in Macau, not much has gone up over the past couple of years, to the point where I haven’t even renewed my pro account in years, and this coming from someone who was particularly active there.

So why? That’s a good question, and there are several answers to it. One thing is that I grew dissatisfied with the quality of what I was taking and sharing, but lacked the energy (and money) to move up to decent gear and shoot (yeah, pun sadly intended) for more. It also doesn’t help when you have a lot of friends who are so damn talented when it comes to photography — some would say this can be inspirational, but I’m on the side that tends to think, oh well, better leave this to those who are better at it.

But to be honest, the biggest reason is one that actually affected a lot of the content that you saw appear on this blog, and that’s even pre-SNOW Magazine. It got to a point where I just couldn’t “experience” anything for myself anymore. Every time I was out and about and spotted something interesting, I was immediately composing a blog post in my head about it (even if I had absolutely no intention of writing one) and taking photos to “document” it. This ended up literally getting in the way of my enjoyment of things. Many are sure to say that this is a handy skill to have, and I wouldn’t disagree, but it can also be a negative in the sense that I started losing something rather important, and that’s the pure sense of enjoying the moment/space you occupy.

Sure, this wasn’t just about photography, but I think one way to fix this for me was to remove that part from the equation. And you know what, after a while it did in fact work. I no longer cared which angle of what I was seeing or experiencing would best tell the story.

“OK, Jean, but this post is titled ‘Panasonic Lumix G2,’ no?”

Yes, how perceptive of you.

My wife has been wanting a decent camera for a while now, at first mostly to use for her next field research trip to China, but also to just start taking better photos of the things around her, including of course our dog. She finally pulled the trigger on a purchase yesterday and ended up getting the aforementioned Panasonic Lumix G2, the follow-up to the company’s G1, the camera that kicked off the whole “Micro System” craze. For months I’d been suggesting to her the GF1, in part because of Craig Mod’s amazing field test article, but also because at least 5-6 of my friends ended up buying one, to great satisfaction. She was able to get something a bit better — the GF1 is sort of a paired-down more compact version of the G2 (or rather its predecessor, the G1).

So this means we have a nice new camera in the house, and she says I’ll be able to use it when I want — although there seems to be some sort of unwritten rule stating that such sharing will happen after a fixed amount of time. The prospect of learning photography has me rather excited, and despite my fears of getting back to that sense of always being in reporter mode, I’m thinking that it will help get some more original (not reblogged) content on SNOW Magazine.

To be fair, I also have a feeling that the iPhone 4 is going to help with that. I finally got around to ordering one yesterday — the wait will take up to a month though — and from the examples I saw in this Boing Boing post, I think it will make for a great device when you’re in a pinch. But more than just the camera, it’s the prospect of HD video recording that has me excited, and I’m hoping that you’ll see the results on SNOW as well — and hey, that G2 takes some pretty decent HD videos too, just look at what Craig was able to get out of his GF1.

Next up is moving to some more serious photo editing tools — iPhoto and quick Photoshop touch-ups have been fine so far, but I want to move up. After asking about Adobe Lightroom versus Apple Aperture on Twitter, the feedback was overwhelmingly pro-Lightroom, and Adobe certainly makes it easy for you to try it out for yourself. It seems that Lightroom 3 was actually released just recently, so looks like I’m hopping on at a good time.

What you see at the top of this post is just me having fun with some of the filters in Lightroom, on a photo my wife took of me this morning — this is pretty much what I look like, and where I find myself, everyday. Funny how adding a vignette/sepia filter makes everything look oh-so serious. Looking at the photo, I really feel like a hard-working writer. Yeah.

Tonkatsu Spaghetti

Tonkatsu Spaghetti

I may not have talked about it a lot here on the blog, but I’ve certainly tweeted a bunch over the years my love for tonkatsu spaghetti, which I get at this great little pasta joint in Ikebukuro (not far from Cafe Pause) called Nobu. I like it so much I’ve even added the place to the next editions of The Rough Guide to Tokyo and Japan.

Here’s beautiful shot of the meal in question, taken the other day by Hiyoko Imai — a fellow GOOD person.

Walking this Town

Confiture

Yesterday after getting lunch at the nearby Maison Kayser — it’s the one located inside Ikebukuro’s Sunshine City with a terrace, so it’s dog-friendly — we decided to just start walking, with the general idea of heading towards Iidabashi. Three wards later (Toshima, Bunkyo, and Taito) we ended up not only stopping for a drink at the very enjoyable Canal Cafe (you sit outside by Kanda river), we continued on to Yasukuni shrine. We wanted to end up at Sanbancho Cafe — it’s also dog-friendly — but there was a wedding reception in full effect, so no go. But the epic walk was an enjoyable one — despite some feet dragging on my part towards the end because of fatigue — and we’ve realized that it’s something we want to start doing more often. It gives us a chance to get out and about without having to leave the dog at home in his cage, which he doesn’t much like.

Pictured, photos taken by my wife near Yasukuni shrine, showing my dog Confiture simply hanging out. I think we should start a regular series of these, with him checking out various parts of Tokyo.

Delightfully Tacky, Yet Unrefined

PauseTalk Vol. 40PauseTalk Vol. 40

It’s been a while since we’ve had photos to share from a PauseTalk, so big thanks to Martin Holtkamp for sending me these from last night’s edition (Vol. 40).

Confiture Love

Confiture Love

My dog Confiture did in fact get a lot of love at last night’s PauseTalk (Vol. 40), posing with a few of the attendees. Much thanks to Martin Holtkamp for the photo above.

PechaKucha Control Center

PK Tech Center

Here I am, acting all serious and shit at the “control center” this past Saturday for the big “Global PechaKucha Night for Haiti” — in the foreground you see the back of the head of Mark Dytham, and my PechaKucha colleague Tomoko. The photo is courtesy of Arvin Panwar — more photos from that night here.

Twittering Kyoto

Kyoto

If you follow my Twitter feed, then you may have noticed all of the tweeting I was doing while in Kyoto this past weekend, and more importantly, adding the @hitotoki tag to all of those tweets. The reason is that I’m currently helping with the beta testing of the soon-to-relaunch Hitotoki, and as you can see, it now revolves around a strong Twitter component. I’ll just leave it at that for now, but if you want to be alerted when the site relaunches, you can sign up on the site, and follow them on Twitter as well.

Hanami by Martin Holtkamp

Hanami by Martin Holtkamp

Photographer Martin Holtkamp — and fellow PauseTalker — has just launched his first major exhibition at Gallery Speak For in Daikanyama. The show, “Hanami,” runs until January 20, and Martin should be on hand tomorrow (January 11) at PauseTalk Vol. 37 to talk about the show, and he’ll also be presenting at this month’s PechaKucha Night in Tokyo (January 27).

Hanami by Martin Holtkamp

GF1 Field Report Part 2


Craig Mod follows up his recent Panasonic Lumix DMC-GF1 field report with a closer look at the video aspects of the camera, including a video gallery.

Japan Yesteryear

Japan Yesteryear

When I posted a link to those great stereoviews of old Japanese life, Kristen Elsby let me know about a group pool she’s been hosting on Flickr called “Japanese in Yesteryear,” for found photos.

This is a group for portraits and snapshots, both formal and informal, of the people from Japan’s past (as well as for Japanese diaspora in other countries). Family shots, studio portraits, amateur portraits and snapshots are all welcome. Fleamarket finds and other found photos are perfect — let’s give these little seen photos a new life!

In the same vein, you should of course also take a look at Ian Lynam‘s continuing “Meeting Modernity” series over at Néojaponisme.

Photos of PROTOTYPE 03

PROTOTYPE 03

The “PROTOTYPE 03” exhibition may be over, but the show’s website has been updated with a beautiful gallery of photos by Takumi Ota.

PauseTalk

PauseTalk is a regular series of events that take place at Cafe Pause on the first Monday of every month, with a start time of 20:00. The idea is to create a forum where Tokyo-based creatives can get together and discuss their own projects, as well as cultural currents of the city. The next edition is March 5.

We hereby define a new term, that of the magaziner, described as a person who exerts an unhealthy amount of love for all things magazine. The Magaziner is a site that mostly focuses on the intersection between magazines and the digital frontier, and what it means for the medium. This does not preclude the inclusion of a healthy amount of print love.

Codex is a weekly music podcast hosted by Jean Snow, recorded in Tokyo. Playlists for all episodes are posted on the site, and you can subscribe to RSS feeds of posts and episodes.

Jean Snow is a contributor to Arcade Mania, your guide to the arcade gaming scene in Japan (Amazon US/Amazon Japan). He also provided assistance on Tokyolife: Art and Design, a guide to Tokyo's cultural output of the past few years, covering the works of over 80 influential creatives.
He will be contributing to the upcoming fifth editions of The Rough Guide to Tokyo and The Rough Guide to Japan, due for release in 2011.

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PechaKucha Global Cities Week

Jean Snow is Executive Director of the PechaKucha organization. He also helps run the PechaKucha Night in Tokyo -- please get in touch if you are interested in presenting at a future event. For a more intimate salon-like discussion group, join him at his monthly PauseTalk event.

A longtime resident of Tokyo, he lives and breathes design, pop culture, and gaming, sustained by an unhealthy addiction to magazines and frequent visits to his favorites cafes. He has reported on these obsessions for various online/offline publications, including the following: Time, Inside (Australian Design Review), Gizmodo, Gridskipper, Kotaku, 1UP, Tokyo Q, Superfuture, OK Fred, Arthur Frommer's Budget Travel, I.D. (International Design), Metropolis, Azure, MoCo Loco, Kateigaho International Edition, Wired's Game|Life, PingMag, CNNGo, Phaidon, and The Japan Times.

You can subscribe to an RSS feed of this site, and also follow him on Twitter and Facebook, or get in touch by email.

Neojaponisme

He serves as editor-at-large at Néojaponisme, a web journal covering social and cultural aspects of Japan. Read the manifesto, by founder and chief editor W. David Marx.

He also writes a monthly column covering Japanese product design for The Japan Times, called "On Design." It appears on the last Tuesday of every month, in both the print edition and online.

Colophon

The "Jean Snow" logo is written using the free Kirimomi Swash typeface. The "M31" logo is by Ian Lynam, and is part of a series of 31 unique designs. The site's design is based on the Grid Focus WordPress theme by Derek Punsalan.

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