Icon

Your Guide to Design and Pop Culture in Tokyo

Gaming at AQ

Gaming at AQ

Over the past month or two I’ve been occasionally stopping by the AQ office in Nishi-Azabu (either at lunch time, or after work) for a bit of card gaming with my friend Ryan, who is AQ’s resident graphic designer. For these sessions, we play either Warhammer: Invasion, or more frequently, Magic: The Gathering. It’s Magic that we’re playing in these photos — in their conference room. The photos were all taken by AQ’s Paul, using the Olloclip lens on his iPhone.

Gaming at AQ

Gaming at AQ

What Has Happened

Let me start by saying that I’m writing this not to add noise to all the useful info getting out there, but because I’ve been contacted by countless concerned people about what happened with me, and what is going on. Here’s my story.

As I had mentioned in a recent post, we were heading for a trip to Vietnam and Cambodia, and ended up being on the Narita Express train — a train that goes directly from Ikebukuro, where I live, to the airport — when the first big quake hit. because we were still within Tokyo, the train wasn’t going too fast, and so was able to stop very quickly, and we were left rocking from side-to-side. They then started making announcements about the earthquake. Looking outside, we could see that people had come out of nearby buildings. With aftershocks coming regularly, they continued to announce that we were stopped because of the earthquake with no idea on when we could resume, and then shut down the electricity. About an hour later, they finally did an emergency evacuation of the train, having us climb out on ladders, and proceeded to walk us to the nearest station, which was Gotanda. If anything, I’m thankful that this happened before we’d left Tokyo or had arrived at the airport, as being stuck out there would have been much worse.

The train was filled with travelers from China and Hong Kong, who couldn’t understand any of the Japanese-only announcements, and so my wife acted as translator on the train, and continued to do so with the staff as we all headed to the station. 

When we got to the station, the Japan Railways staff were as confused as everyone. But it was clear that no one was going to get to the airport, nevermind to catch any flight. My wife started helping people to find nearby hotels. Not knowing what to do, and with phones already down, we decided to go to a nearby family restaurant (Jonathan’s) and have something to eat — we hadn’t had a proper meal yet all day, and it was getting close to 17:00 — and to try and get our bearings. 

As I’ve tweeted, my lifeline really was Twitter. Although voice functionality was down, my phone still had data access, and though I was having trouble loading up websites, the relatively low amount of bandwidth used by Twitter was fine. Most of my info came through all of the retweets coming from Sandra Barron (@sandrajapandra) — funny enough, I’d only started following her a few days previous, after having met her at last Monday’s PauseTalk.

I was tweeting my situation, and also made sure to email my parents (back in Canada) so that they wouldn’t be worried after seeing the news. For some reason, my tweets were not coming out on Facebook as they usually do, and a friend from back home let me know that other friends were worried about my situation. The Facebook app was not letting me post a status update, but I was able to post a note instead — I’m told that the message was published in my hometown’s newspaper, as part of their cover story on the quake.

It got to a point where we were worrying how we’d get back home — which is obviously how everyone in the city was feeling. Encumbering us were our suitcases, and also the fact that we were dressed lightly, since we were heading to warmer weather. Through @replies and direct messages, I was first invited to go and hang out at the AQ office in Aoyama, and then later received offers to stay the night from my friends Oliver, Andrew, and Paul — we took up Paul on his offer, since his place in Shirokanedai was the closest walk.

It was only once we got to Paul’s place and started watching TV that we were able to take in the extent of the destruction in the north. And we were all still worried because aftershocks continued to be regular (and they continue as I write this), but it was good to be with friends — Chris, Eiko, and Tomomi later joined us, walking over from the AQ office.

Sleeping in a room on the 3rd floor, we continued to sway throughout the evening. Even though calls had been impossible throughout the night, at around midnight my wife reached our travel agency, and there was still staff there taking calls — that’s Japan for ya. We were able to cancel our trip, and will receive a full refund (although we’re going to try and reschedule for later this month). Funny enough, they told us that we could either cancel, or try to go to the airport the following day and negotiate with ANA — the airline we were using — to see if they could get us on a plane. Yeah, right.

We were also worried about our dog, who was staying with our local vet (they offer “hotel” services). Although we couldn’t call, we managed to get in touch by email, and learned that everyone there was fine, including all the animals.

On Saturday, after we found out that most of the trains were running again (at least within Tokyo), we headed back home around lunch time. Once we got back to Ikebukuro, everything seemed relatively normal. We couldn’t pick up our dog until 17:00 — the vet closes during the afternoon — and so we headed back home to take in the damage. I was worried about what we’d see when getting there, after having seen photos from friends’ homes and offices through Twitter. Also, our house being over 50-year-old, it’s not exactly earthquake-proof. Luckily, there wasn’t much more than what our dog has done in the past. We later went to the grocery store to stock up on food — since we were heading for a trip, our house was pretty much empty — and despite the photos and reports of empty shelves I’d been seeing, it was pretty much business as usual at our local Seiyu, if only for a lack of fresh produce.

After stocking up, we were later reunited with our dog, and we’ve been staying at home since. We’re pretty much all holed up in one room, in part to conserve energy — they are reporting that this will be a problem, and that they will probably start rolling blackouts tomorrow. We’re all good, and there’s no need to worry about us — it’s really just the north that was devastated, and the way Tokyo was affected is mostly in terms of stoppage of public transportation, and issues with supplies being delivered (which explains the empty shelves in convenience store and supermarkets). We’re of course all nervous because aftershocks continue, and there’s the situation with the nuclear plants. 

For now, we wait at home, follow the news — Japanese TV, Twitter, and the NHK World live streaming app on iPad — and wait for things to stabilize. Thank you everyone who has been in touch with concern — through email, Twitter, and Facebook.

SNOW Magazine on iPad

SNOW Magazine on iPad

I don’t have an iPad — YET — but big thanks to Paul Baron for sending in this screenshot of how SNOW Magazine looks like on the iPad. Although I didn’t think there’d be any problems — since it works fine on iPhone — it’s alway good to have confirmation. Now to start thinking about whatever else SNOW-related I can get on the iPhone/iPad…

Celebrating 5 Years of TAB

TAB 5th Anniversary Party

This past Saturday’s 5th anniversary party for Tokyo Art Beat at SuperDeluxe was indeed a blast, and to my absolute surprise I actually won the raffle — I swear, I never win anything. The prize was a pink basket filled with all sorts of goodies, and was handed to me by TAB’s Paul Baron and World of Golden Eggs creator Masashi “Larry” Oiwa (that’s us three above, with the shorty, me, in the middle). My wife is an absolute fan of Golden Eggs — she even watches those “Heidi” shorts they created for Nissan over and over — so was pretty jealous when I told her who handed me the prize.

The entire evening was good fun, with Ian Lynam and Mari Kojima kicking the jams with crazy dance moves in the guises of their new unit, Mammal. Below, Paul and me getting a little closer. Photos are courtesy of Xin Tahara.

TAB 5th Anniversary Party

IID’s Fifth Anniversary Party

Ikejiri Institute of Design

The Ikejiri Institute of Design (IID) recently celebrated its fifth anniversary in style, and Tokyo Art Beat co-founder Paul Baron has the pics to prove it. It goes without saying, but I wish I could have attended.

PauseTalk

PauseTalk is a regular series of events that take place at Cafe Pause on the first Monday of every month, with a start time of 20:00. The idea is to create a forum where Tokyo-based creatives can get together and discuss their own projects, as well as cultural currents of the city. The next edition is March 5.

We hereby define a new term, that of the magaziner, described as a person who exerts an unhealthy amount of love for all things magazine. The Magaziner is a site that mostly focuses on the intersection between magazines and the digital frontier, and what it means for the medium. This does not preclude the inclusion of a healthy amount of print love.

Codex is a weekly music podcast hosted by Jean Snow, recorded in Tokyo. Playlists for all episodes are posted on the site, and you can subscribe to RSS feeds of posts and episodes.

Jean Snow is a contributor to Arcade Mania, your guide to the arcade gaming scene in Japan (Amazon US/Amazon Japan). He also provided assistance on Tokyolife: Art and Design, a guide to Tokyo's cultural output of the past few years, covering the works of over 80 influential creatives.
He will be contributing to the upcoming fifth editions of The Rough Guide to Tokyo and The Rough Guide to Japan, due for release in 2011.

Categories

Archives

PechaKucha Global Cities Week

Jean Snow is Executive Director of the PechaKucha organization. He also helps run the PechaKucha Night in Tokyo -- please get in touch if you are interested in presenting at a future event. For a more intimate salon-like discussion group, join him at his monthly PauseTalk event.

A longtime resident of Tokyo, he lives and breathes design, pop culture, and gaming, sustained by an unhealthy addiction to magazines and frequent visits to his favorites cafes. He has reported on these obsessions for various online/offline publications, including the following: Time, Inside (Australian Design Review), Gizmodo, Gridskipper, Kotaku, 1UP, Tokyo Q, Superfuture, OK Fred, Arthur Frommer's Budget Travel, I.D. (International Design), Metropolis, Azure, MoCo Loco, Kateigaho International Edition, Wired's Game|Life, PingMag, CNNGo, Phaidon, and The Japan Times.

You can subscribe to an RSS feed of this site, and also follow him on Twitter and Facebook, or get in touch by email.

Neojaponisme

He serves as editor-at-large at Néojaponisme, a web journal covering social and cultural aspects of Japan. Read the manifesto, by founder and chief editor W. David Marx.

He also writes a monthly column covering Japanese product design for The Japan Times, called "On Design." It appears on the last Tuesday of every month, in both the print edition and online.

Colophon

The "Jean Snow" logo is written using the free Kirimomi Swash typeface. The "M31" logo is by Ian Lynam, and is part of a series of 31 unique designs. The site's design is based on the Grid Focus WordPress theme by Derek Punsalan.

Twitter