My “On Design” column for The Japan Times is in today’s issue (March 28), or you can read it online here. Pictured above, Normal‘s new Vivid series, designed by Tokyo-based Ross McBride.

I forgot to post it last week when it was published — blame the nasty flu virus that has gotten me down for the past week — but the January edition of my “On Design” column was published on the 31st in The Japan Times, and you can read it online here. Pictured above, Postalco‘s fantastic new Snap Pad (and until February 16, you can catch Postalco’s “Wheel Printer” exhibition at the Creation Gallery G8 in Ginza).

My “On Design” column is a week early this month, appearing in today’s edition (Tuesday, November 22) of The Japan Times — or you can read it online here. Pictured above, 15%‘s Ice-Cream Spoons.

This month’s edition of my “On Design” column is in today’s The Japan Times, and can be read online here. Above, Branch’s Paper Chopstick Rest.

This month’s edition of my “On Design” column was in today’s The Japan Times, and you can read it online here. Above, one of the items covered, the Notchless tape dispenser designed by Mamoru Yasukuni.

You’d figure I’d be better at pimping my stuff on the web, but it feels like it’s been ages since I last linked to my regular “On Design” column on The Japan Times. But yes, it continues to appear on the last Tuesday of every month, and this month marks the 6th anniversary! The first edition was published in September of 2005, and you can still read it online (and here’s a post about it).

While I’m at it, here’s a link to last month’s column, in which I covered among other things Mile‘s Milestone, pictured above. This month’s edition will appear in the September 27 issue of the paper.

If you’ve been to the front page of this site sometime this week (I have to assume that many of you reading this in your feed reader), then more than likely you’ve noticed the giant banner I have there now. It’s for the big Global PechaKucha Day – Inspire Japan event I’ve been working on over the past few weeks, set to happen this Saturday (April 16). I alluded to it in a recent post, but if you don’t know about it, it’s a big charity event we’ve put together, bringing together the PechaKucha community — we’re 404 cities strong, as of this writing — for a day/night of events all over the world, with the goal of raising funds for reconstruction efforts in Japan. As with last year for Haiti, we’re teaming up with Architecture for Humanity.

The core of the event is on Saturday, with a whole bunch of cities holding PKNs, and a lot of them will be streaming live as well — just go to the Inspire Japan site on the day of the event, and whatever is currently streaming live should be up at the top of the site. But our Inspire Japan efforts will also span all of April and May, and we’re inviting organizers of all PKNs during this period to collect donations — because this all came together so suddenly, many cities were not able to re-schedule already planned events, and some just found it difficult to organize something on the 16th.

Here in Tokyo, instead of our regular home of SuperDeluxe, the event will be held at the Roppongi Hills Tokyo City View (52nd floor), with doors opening at 17:00, and presentations starting at 18:00 (it should run until around 21:30 or so). Entry will be a minimum donation of 1000 yen — you’re of course welcome to leave more. To access the event, you’ll need to go to the 3rd floor to get a free ticket to get to the top, and we’ll have signs there to point you to the event space (where you’ll pay the entry fee).

This will also be the first time I present in quite a while — I only presented once at a PechaKucha Night, 3-4 years ago at a special Tokyo Design Week edition with my friend Jesper (it was about the Swedish Style event we had organized at Cafe Pause). This time, I’ll be teaming with Ian, who is responsible for all of the Inspire Japan graphics you’ve been seeing. The presentation will pretty much be about design efforts to raise money for Japan aid, based on that post I started a few days after the quake, as well as the follow-up I did in last month’s edition of my “On Design” column for The Japan Times. For his part of the presentation, Ian will cover the projects he worked on to help raise awareness and collect donations.

The event should be amazing — I mean, you can’t really beat that view — and you’ll also be contributing to reconstruction efforts, so I urge you all to come and support us. Also, if you’d like to help spread the word, feel free to get and use Inspire Japan banners and ads that Ian created, as well as a very cool (and workable) QR code that SET Japan designed for us.

Every month or so, Warren Ellis puts out a post on his site in which he explains where you can find him on the web and elsewhere — sort of a monthly updated FAQ on what he’s up to — and I figure I should do one as well, since I’m sure that someone who has just arrived to my site for the first time might have trouble understanding what exactly I’m up to these days.

First off, this week saw the launch of my latest project, The Magaziner, a new site that will cover the growing push of magazine into the digital world — something I’ve been covering here for a couple of months now, but realized it made more sense to create a proper space for it. It is also accompanied by a Twitter account, which I’m now using for my magazine-related tweets, and has a Facebook fan page too.

Last month I also launched a new weekly music podcast I call Codex. It’s usually me playing a selection of 10 tracks, but I’ll have the occasional themed shows (like the next one), guest episodes (soon), and I’m also going to start adding what I call the Codex Coda, short guest mixes. You can download all previous episodes here and subscribe to an RSS feed — it’s in the iTunes Store too.

Radio OK FRED is the long-running music podcast series I do with Editions OK FRED‘s Yoshi Tsujimura and Audrey Fondecave, and although it’s been on yet another extended break (apologies for that), it still pops up every once in a while, and I’m hoping we’ll be able to make 1 or 2 new episodes this month.

Then there’s PauseTalk, my monthly creative talk event that takes place at Cafe Pause here in Ikebukuro. We’re on a bit of a break this month and the next (due to the holiday slowdown), and so the next edition will take place February 7. If you’ve never been there, it’s a very casual salon-like atmosphere, where a bunch of “creatives” basically get together and discuss topics that affect us, share projects, ask for advice, etc.

SNOW Magazine is the natural extension that was launched at the start of the year for all of the Tokyo/Japan-related art/design/culture coverage I used to do on this blog for many, many years. Although most of the content is provided by me, it does include the occasional guest columns and feature. SNOW also has a presence on Facebook and Twitter.

That means that this place, JeanSnow.net, is again a hub for all of my activities, so don’t come looking for Japan-related news, really. I’m on Twitter as well — where some say I actually tweet too much — and of course Facebook.

On the book side of things, while I’ll remind you that my previous contributions — Arcade Mania and Tokyolife — make for great holiday gifts, next up will be the release early next year of the fifth editions of The Rough Guides to Tokyo and Japan.

And although it doesn’t get updated as much as I’d like, my little gaming corner — simply called GAME — still features a host of games that I like a lot. I’ll try and get back to adding a few each month.

The PLAY series, where I would spin virtual discs at Cafe Pause every once in a while, is also on hiatus, and I think it has pretty much been taken over by Codex. I actually want to occasionally record some live Codex shows from the cafe.

You can also still catch my monthly design column for The Japan Times, “On Design,” which is published on the last Thursday of every month. It focuses on product design, and each one usually has me recommending five new items. I also contributed two items to the Japan Times‘ holiday gift guide piece, which was published today.

And even though I don’t really contribute anything in the written sense, I would say that I’m a “spiritual” contributor to Néojaponisme, David Marx‘s web journal that covers social and cultural aspects of Japan, which explains my editor-at-large title. Although the site has slowed down a bit this year in terms of new content, expect a bunch of great year-end reflections to appear later this month.

I’m also a proud member of Luis Mendo’s Goodfellas Network, and more specifically part of the GOOD Inc. Japan team. If you’re looking for a terrific group of people to work on a magazine-related project (print or digital), then please get in touch.

Last, but CERTAINLY not least, I continue my work as Executive Director of PechaKucha, where my role is mostly behind-the-scenes, but I also provide a public face through the PechaKucha Daily blog, and on Twitter. Local PKN organizers from around the world are the people I mostly deal with, but do feel free to get in touch if you have any questions regarding all things PechaKucha, whether it’s about holding a one-off PK event, starting a regular PKN series in your city, or anything else you may have on your mind. Since the organization is run as a non-profit, sponsorship enquiries and collaborations are also VERY welcome!

So there you have it, and if all of this wasn’t enough, do feel free to email me with any question you may have.

I haven’t mentioned it in a while, but I do still contribute a monthly design column to The Japan Times newspaper. It’s called “On Design” and it is composed of five products I pick/recommend, and it is always published on the last Thursday of the month, which means that this month’s edition was in today’s paper (and it’s online here). This month I start out with a bit on Tokyo Design Week, and then I recommend Kyouei Design‘s Cube Letter Set, &design‘s Bird Alarm Clock, Shin Azumi‘s AP Stool, and the.‘s Speak-er.

Just a note to say that this month’s edition of my “On Design” column for The Japan Times is pushed back a week, and will be published on Thursday of next week (October 29), on the eve of Tokyo Design Week.