Curiosity‘s “Light – Light” installation, first shown in Milan last year, is now on show at a Louis Vuitton store in Tokyo until April 5. Designboom only mentions that it’s at the Louis Vuitton store in Shibuya-ku, which I assume would be the flagship store on Omotesando.

Yes, I’m extremely late with my write-up on the February 2009 edition of PauseTalk (Vol. 28), but then again, it gives me the opportunity to plug the next edition, which happens this coming Monday (March 2, from 20:00 at Cafe Pause). I’d like to thank everyone who came to the last one and made it so enjoyable — and nicely crowded. I honestly can’t remember what was covered, but I assure you it was all good.

Below, a partial list of those who attended, because I didn’t properly keep track of everyone who came. If you’re missing from the list, please let me know and I’ll add it right away — and apologies for being the senile entity that I am.

• Andrew Lee (Editor)
• Alin Huma (Photographer)
• Benjamin Parks (Photographer)
• Bianca Beuttel (Designer)
• Chris Kirby (Designer)
• Christophe Sautot (Web Developer)
• Hiroaki Koshiba (Artist)
• James Okubo (Filmmaker)
• Jean Snow (Writer)
• Joseph Keenan (Designer)
• Joshua Lieberman (Photographer)
• Max Hodges (Publisher)
• Michael Keferl (Trend Researcher)
• Nicholas Ridley (Designer)
• Rebecca Milner (Writer)
• Scott Popular (Gamer)
• Shantell Martin (Illustrator/VJ)
• Sophie Knight (Writer)

Tramnesia adds another great video to its “Working” series. It’s another international couple — following Knee High Media — this time Mike and Yuri Abelson, who run the stationery brand/company Postalco. I’ve seen their products all over the city, but didn’t realize they had a shop of their own — it’s in Kyobashi — which I’ll have to check out soon. Always nice to see small companies like this doing so well.

Josh McKible is busy: on top of the recent poster for Cafe Pause and label for the original tea blend, now he’s also collaborating with papercraft legend Shin Tanaka. Josh was invited to participate — along with six other designers — in a project called “We Don’t Need Fake!!!” To help keep things “real and original,” download the designs here.

And if you haven’t done so already, have a look at the latest batch of NaniBirds, ready to be printed and folded.

Design aficionados take note: Steven Heller and Lita Talarico, co-authors of the book The Design Entrepreneur, are giving a free lecture at Spazio in Ebisu on March 13. More details on the sign-up page.

Another great show at Diesel Denim Gallery Aoyama, this time “Paranomia,” featuring collaborative works by Chinese artist Chi Peng and creative director Kensui Arao. It runs until May 10.

My weekly Tokyo post for MoCo Loco is up, this time covering Mile‘s “Whose Leg?” mini-lampshade, Nendo‘s exhibition in NYC (above), and Hidetoshi Takahashi’s Cara and Kami wooden cups.

According to Japan Probe, Japanese convenience store chain Lawson is about to purchase rival chain AM/PM. 7-11 remains the monster chain in Japan, but in Tokyo at least, the new deal would give Lawson 1,795 stores versus 7-11′s 1,602.

I love my Japanese convenience stores, oh yes I do.

As promised, a few photos taken at the party we had for the 5th anniversary of Cafe Pause last Saturday. All photos were taken by Kei Suzuki — he was responsible for the visual/sound performance.

Following Saturday night’s amazing 5th anniversary party at Cafe Pause — I’ll get photos up soon — on Sunday night we were treated to another performance by painter Hiroaki Koshiba, accompanied on guitar by his brother, Takaaki Koshiba. Photos taken on iPhone using the Toy Camera app.

Designer Bianca Beuttel has been a good friend of PauseTalk over the years — since Vol. 1, actually — and in just over a month she’s leaving Tokyo for the calmer climes of Kyoto. Before she leaves though she’s having an exhibition at Cafe Pause called “Japanese Memoscapes” (March 9-15). It involves the use of memo pads she has designed, which will also be sold during the exhibition. If you visit the exhibition website, you can see what the pages look like — that’s one of them above. I’m participating by filling up one with my scribbles, which will then join the exhibition.

Yes, the magazine industry is hurting in Japan just as much as anywhere else. I’ve been told — so feel free to treat this as a rumor — that the Japanese edition of Esquire is about to cease publication. And that same person was telling me that circulation numbers in general are hurting, and so it sounds like we shouldn’t be too surprised to see more closures if things don’t improve in the coming months. Esquire in Japan is actually a decent magazine — it’s much more Brutus than Esquire US.

Also, an update on the news I posted a few weeks ago about the demise of Kateigaho International Edition. The magazine as we know it has indeed ended — the current issue is the last — but later this year it will continue as a translation of the original Japanese edition. Believe me, fans of KIE will not want this upcoming edition.

Takahiro Miyashita’s recent collection for Number (N)ine — shown last month in Paris — will be the line’s last. Via Mekas.

The Beat Crusaders devote the video for their latest single, “Phantom Planet,” to last year’s LittleBigPlanet. Great use of the band’s trademark face masks. Thanks, Ola.

Absolutely stunning poster of the Tokyo railway system by Korean designer Zero Per Zero, that acts as a map and a calendar. I’ve seen the full-size version of last year’s edition — it hangs at the AQ offices — and it looks even better when seen up close. You can purchase it online through White Rabbit Press.