Art Harbour

Art Harbour, the site that will be hosting Momus’ “Lost Radio Found Sound” project during his stay at Hakodate’s Future University, is now up.
Jan 25, 2005

Art Harbour, the site that will be hosting Momus’ “Lost Radio Found Sound” project during his stay at Hakodate’s Future University, is now up.
Jan 25, 2005
Jan 25, 2005
Jan 25, 2005

The Mori Tower’s Mori Arts Center Gallery (52F) has just launched the Ando Tado designed Louis Vuitton exhibition “Universal Symbol of the Brand.”
Until March 21.
Jan 24, 2005

The latest issue of BRUTUS takes a look at all things children, going as far as including a supplement entitled BRUTUS BAMBINI. They cover pretty much anything that revolves around the world of kids, from toys and clothing, to environment and literature. I was especially struck by the bold use of design in all of these supposed kiddie things. Sure, BRUTUS itself examines things from a design perspective, but it does seem to suggest that raising a child doesn’t mean that you need to crass yourself up with what we now see as the trappings of such an activity — one foot in a Toy’R'Us, and the other in a bedroom filled with things trying oh-so-hard to be adorable. I was quite attracted to the various products being featured, including the richly illustrated children’s books they chose to focus on. Being a kid never looked so enticing!
But this got me wondering: where exactly do a child’s personal tastes/wants fit into all of this? If it’s me who is being wowed by the stylish items on display in that issue of BRUTUS, is it because the makers/creators of said products are aiming their wares at me? Would kids be attracted to these things, as much as I wish they would? I don’t remember having a strong sense of design when I was busy playing with my G.I. Joe figures, creating Captain Harlock type battle ships out of Legos, or playing guns in the yard. Clothing was a non-issue.
I teach English to children, aged 2 (yes, believe it) to 12. I spend a lot of time with young kids, and I have a good idea of what they’re into, and what doesn’t really seem to cross their mind. They want what’s cool (for them), what everyone is playing with/talking about. Does a design-friendly environment really make much sense to them? I don’t really think so. Can I teach them to care? Well, honestly, is there a point to it, outside of satisfying my personal desire to spread my love of beautifully thought-out concepts and objects?
I’m currently working on packaging and promotional items for a new toy — not designing the stuff, but mostly working as an agent on the project. The object in question, although being a toy, has a certain sense of style, and could be considered to be design-friendly (something that wouldn’t be out of place in a Tokyo select shop). Talking with the client about what he saw as being his target market, he described the typical consumer as a person who appreciates good design, and would buy it for his children, or for the children of others as a present. He doesn’t feel that a child would necessarily be attracted to it in a toy shop — they’re too busy looking for the latest video games or action figures.
To be continued…
Jan 24, 2005
Patrick makes it to Tea Room Alice, a maid-themed cafe in Nakano, and lives to blog about it. Too bad he wasn’t allowed to take pictures inside. It’s true that these sort of cafes are popping up a lot, especially in Akihabara. I saw one featured on TV a while back, and the maid outfits were more anime-like than the traditional maid outfits we’re used to seeing.
Jan 23, 2005

I like food, and I like magazines, and this week’s METROPOLIS (565) offers us a tour of a few Japanese food-related magazines, from the shufu (“housewife”) staples of ORANGE PAGE and LETTUCE CLUB to RYORI OUKOUKO (“Cuisine Kingdom”), aimed at people working in the food industry. As is usual with METROPOLIS (and an annoyance), the article will disappear in the archives after a week.
Jan 23, 2005

“Archigram” is a new experimental architecture exhibition happening at Art Tower Mito‘s Contemporary Art Gallery. Looks like it’ll make for an excellent complement to the current Mori Art Museum “Archilab” exhibition, which I quite enjoyed.
The retrospective exhibition, “ARCHIGRAM — experimental architecture 1961-1974,” made its debut in 1994 at the Kunsthalle in Vienna, and having toured the Pompidou Center in Paris and the Design Museum in London, it has finally made its way to Japan after 11 years. 300 drawings, collages, and models will be featured in this first comprehensive exhibition of Archigram in Japan. (TAB)
It starts today, and goes until March 27.
Jan 23, 2005
Huh?
Pagyaru derive their name from chuto hanpa, the Japanese word for “half measures,” and gyaru, the local rendition of the English “girl.”
Read the entire WaiWai article here. Link via Warren Ellis.
Jan 22, 2005
Some very nice iPod accessories from GAS. A bit pricey though. Link via Jesper.
Jan 22, 2005
In his latest OUT OF TOKYO column, Ozaki Tetsuya completely blasts the presentations made by Kaikai Kiki’s Aoshima Chiho and Takano Aya at the “What’s Good Conference” in Hong Kong. Honestly, I have to agree with what he says — if you’re not going to play the game, then best not to go and end up wasting the time of attendees.
Jan 21, 2005
Bad news for Radio OK Fred. As you know, the two shows that were uploaded haven’t been available for a while now, and it seems like there’s no clear solution to our problem. It’s all about the bandwidth, and the OK FRED server just can’t take it. We have a new show waiting to be uploaded, but there’s not much we can do. It’s quite unfortunate, but for now it seems that we’ll have to put the breaks on the project, at least until something happens that lets us overcome the bandwidth handicap.
Jan 21, 2005
Some Tokyo Geidai sponsored events of interest.
The venues are the Sakamoto Junior School (until January 27) and BankART 1929 Yokohama (January 22-30). Link to the official site.
Jan 19, 2005

The 3rd Apple Store in Japan, this time in Nagoya, opens this Saturday.
The image above is from this site.
Jan 19, 2005