Icon

Your Guide to Design and Pop Culture in Tokyo

From One Year to the Next

Towards the end of the afternoon, we head out to Seibu to get some food from the depa-chika (the basement level of most big department stores hosts mostly pre-cooked food counters, like a giant market – Seibu in Ikebukuro has one of the best ones). As always, we start with cheese and a baguette, and then get some chicken rolls and potato gratin from a charcuterie. The place is packed, which is to be expected on New Year’s Eve. People are making their last-minute food purchases for the evening. Waiting in one line, we overhear a guy saying to his girlfriend that he doesn’t want to miss the PRIDE tournament on TV (three of the networks are airing martial battles during the evening, lead in the hype wars by the Bob Sapp-Akebono confrontation). Walking back home, we stop at the combini for some plates of soba (we should prepare it at home, but we want to be lazy). We get back home and start to eat early, as we’ll still have to eat the soba later on. It’s time for KOHAKU, the infamous year end special on NHK that is presenting its 54th edition. The next few hours are mostly flipping through the different specials on TV. Your pick of 3 channels of ultimate fighting, Takeshi Kitano debunking UFOs, a magician competition, and KOHAKU. The Sapp-Akebono match ends up being a bust, with Akebono’s blubber getting in the way of any show of force (well, I’ll give him the first minute, when the blubber is put to good use pushing Sapp around). It’s now 11:15, which marks the start of comedy duo 99′s annual New Year’s Eve special. Okamura will again do some crazy feat with big explosions. It’s all done for laughs. We eat our soba. After midnight (and the end of the Nainai special), we walk to Gokokuji to pray for a good year. I love matsuri food, so get some butter potatoes, while Yuko gets okonimiyaki. Walking back home, I get a can of Calpis soda. I used to drink a lot of the stuff a few years ago, as there was a vending machine selling the stuff just outside my door. Natsukashi. The next day will bring lots of good TV specials (lots of good comedy: DISCOVER 99, ONE NIGHT ROCK’N'ROLL, UCHIMURA PRODUCE, BLACK WIDE SHOW). One of the shows I like the most is an annual tradition where singers, comedians, actors, etc. all get together and perform certain feats, for which they train 1-2 months. They then get voted on the performance. Most of the participants end up in tears. You have to show respect for what these people go through. I always end up shedding a few tears for some of the performances (this year during the Neptune-T.I.M. crazy climbers acrobatics show). Who says Japanese TV is all bad?

Have something to add? Feel free to leave feedback through either Twitter or Facebook, or contact me by email.

Tagged:

PauseTalk

PauseTalk is a regular series of events that take place at Cafe Pause on the first Monday of every month, with a start time of 20:00. The idea is to create a forum where Tokyo-based creatives can get together and discuss their own projects, as well as cultural currents of the city. The next edition is March 5.

We hereby define a new term, that of the magaziner, described as a person who exerts an unhealthy amount of love for all things magazine. The Magaziner is a site that mostly focuses on the intersection between magazines and the digital frontier, and what it means for the medium. This does not preclude the inclusion of a healthy amount of print love.

Codex is a weekly music podcast hosted by Jean Snow, recorded in Tokyo. Playlists for all episodes are posted on the site, and you can subscribe to RSS feeds of posts and episodes.

Jean Snow is a contributor to Arcade Mania, your guide to the arcade gaming scene in Japan (Amazon US/Amazon Japan). He also provided assistance on Tokyolife: Art and Design, a guide to Tokyo's cultural output of the past few years, covering the works of over 80 influential creatives.
He will be contributing to the upcoming fifth editions of The Rough Guide to Tokyo and The Rough Guide to Japan, due for release in 2011.
PechaKucha Global Cities Week

Jean Snow is Executive Director of the PechaKucha organization. He also helps run the PechaKucha Night in Tokyo -- please get in touch if you are interested in presenting at a future event. For a more intimate salon-like discussion group, join him at his monthly PauseTalk event.

A longtime resident of Tokyo, he lives and breathes design, pop culture, and gaming, sustained by an unhealthy addiction to magazines and frequent visits to his favorites cafes. He has reported on these obsessions for various online/offline publications, including the following: Time, Inside (Australian Design Review), Gizmodo, Gridskipper, Kotaku, 1UP, Tokyo Q, Superfuture, OK Fred, Arthur Frommer's Budget Travel, I.D. (International Design), Metropolis, Azure, MoCo Loco, Kateigaho International Edition, Wired's Game|Life, PingMag, CNNGo, Phaidon, and The Japan Times.

You can subscribe to an RSS feed of this site, and also follow him on Twitter and Facebook, or get in touch by email.

Neojaponisme

He serves as editor-at-large at Néojaponisme, a web journal covering social and cultural aspects of Japan. Read the manifesto, by founder and chief editor W. David Marx.

He also writes a monthly column covering Japanese product design for The Japan Times, called "On Design." It appears on the last Tuesday of every month, in both the print edition and online.

Colophon

The "Jean Snow" logo is written using the free Kirimomi Swash typeface. The "M31" logo is by Ian Lynam, and is part of a series of 31 unique designs. The site's design is based on the Grid Focus WordPress theme by Derek Punsalan.

Twitter