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Your Guide to Design and Pop Culture in Tokyo

Kill Bill: The Verdict

I went and saw KILL BILL last night, and absolutely loved it. One thing though is that I was a bit surprised by the huge amount of Japanese used in the film, which obviously was not subtitled here. I was expecting some, but not so many scenes done almost entirely in Japanese, and long speeches by the likes of Sonny Chiba. It didn’t affect my enjoying the film any, and I don’t think I missed anything very important. In fact, I could catch most of it, except the scenes with the yakuza bosses arguing and the long monologue by Chiba about his sword. The thing is, the Japanese that I have the hardest time understanding in movies is tough-guy talk (except the swear words, I know those). The other thing is that as much as I like Lucy Liu and all, I think her role should have been played by a real Japanese actress (or Japanese/American). I’m sure everyone outside of Japan didn’t notice anything, but her Japanese is definitely not native. It’s fine that she doesn’t look Japanese as this is explained in the film (her character is Japanese/Chinese/American), but having grown up in Okinawa (and by the way, the origin chapter told in anime was absolutely stunning, and I just kept thinking that I would love to see an entire film done in this style) she should have spoken Japanese natively. It especially clashed with the huge amount of Japanese actors in the film. As for Sophie Fatale, the actress that played her must really be half because her Japanese was pretty much flawless.

But that’s not a big deal, the film kicked ass and I enjoyed the ride from start to finish. For those wondering about the differences between the American and Japanese versions, I can tell you that the only black and white in the whole film is during the sequence at the very start of the film when we see The Bride’s face all bloodied in the church, just before the opening credits start to roll. The entire fight sequence in The House of Blue Leaves was in full color, and I almost felt some blood reaching the cinema aisles!

As for the follow-up, as much as I can’t wait to see it, I don’t know if it’ll get me as excited as the first one did, since it’s the whole Asian aspect of the film that really got me so anxious for Volume 1 (being the Asian movie freak that I am). But then again, these are all cool characters, so I’m sure that it’ll end up being interesting no matter what the locale.

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PauseTalk

PauseTalk is a regular series of events that take place at Cafe Pause on the first Monday of every month, with a start time of 20:00. The idea is to create a forum where Tokyo-based creatives can get together and discuss their own projects, as well as cultural currents of the city. The next edition happens June 4.

We hereby define a new term, that of the magaziner, described as a person who exerts an unhealthy amount of love for all things magazine. The Magaziner is a site that mostly focuses on the intersection between magazines and the digital frontier, and what it means for the medium. This does not preclude the inclusion of a healthy amount of print love.

Codex is a weekly music podcast hosted by Jean Snow, recorded in Tokyo. Playlists for all episodes are posted on the site, and you can subscribe to RSS feeds of posts and episodes.

Jean Snow is a contributor to Arcade Mania, your guide to the arcade gaming scene in Japan (Amazon US/Amazon Japan). He also provided assistance on Tokyolife: Art and Design, a guide to Tokyo's cultural output of the past few years, covering the works of over 80 influential creatives.
He will be contributing to the upcoming fifth editions of The Rough Guide to Tokyo and The Rough Guide to Japan, due for release in 2011.
PechaKucha

Jean Snow is Executive Director of the PechaKucha organization. He also helps run the PechaKucha Night in Tokyo -- please get in touch if you are interested in presenting at a future event. For a more intimate salon-like discussion group, join him at his monthly PauseTalk event.

A longtime resident of Tokyo, he lives and breathes design, pop culture, and gaming, sustained by an unhealthy addiction to magazines and frequent visits to his favorites cafes. He has reported on these obsessions for various online/offline publications, including the following: Time, Inside (Australian Design Review), Gizmodo, Gridskipper, Kotaku, 1UP, Tokyo Q, Superfuture, OK Fred, Arthur Frommer's Budget Travel, I.D. (International Design), Metropolis, Azure, MoCo Loco, Kateigaho International Edition, Wired's Game|Life, PingMag, CNNGo, Phaidon, and The Japan Times.

You can subscribe to an RSS feed of this site, and also follow him on Twitter and Facebook, or get in touch by email.

 

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The "Jean Snow" logo is written using the free Kirimomi Swash typeface. The "M31" logo is by Ian Lynam, and is part of a series of 31 unique designs. The site's design is based on the Grid Focus WordPress theme by Derek Punsalan.

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